GraemeWoller
Well-known member
Part One: The Project
I have a pair of beautiful Beesneez Lulu FET small diaphragm condensers.
They sound fantastic on All Of The Things. This thing? Fantastic. That thing? Fantastic. All Of The Things sound fantastic with them. I can't say the same for a KM184 that I put them up against when I had the chance… The poor Neumann couldn't keep up. The Lulus laughed it out of the room.
I'm guessing it's that great capsule Ben made, the Cinemag, and the "relatively" simple KM84 circuit powering it all. I suppose there's a whole bunch more tone in that than the transformerless design that's going on in the KM184.
I'd not really consider myself a proper DIYer, if I'm honest with myself, but I love to learn.
The only other thing I've put together since I was an early teenager has been an Audio Sector chip amp kit back in 2010. That was fun, but I didn't really have to design anything. I just had to solder things together and poke it in a case. (I'd recommend a chip amp to anyone, btw. Bloody nice sound, right there.)
I started wondering to myself what it would be like to change out a few components and tinker away, hopefully without buggering up the great work Ben and his crew had done when he made them. What effect would that have on the tone of the mic?
To cut a long, probably boring, story short, I decided that if I was going to do "something" then I might as well go hard and learn a few new skills to add to my quiver and see what I come up with.
So I present, over a couple of posts, the story of a custom KM84 based SMD PCB replacement that I tinkered up. (I'll upload the Eagle files when I get a chance if anyone is interested).
I'm super-interested to hear what everyone thinks, especially considering the polarising discussions of through-hole vs. SMD!!
- Edited to avoid confusion about why I'm modding already amazing mics -
I have a pair of beautiful Beesneez Lulu FET small diaphragm condensers.
They sound fantastic on All Of The Things. This thing? Fantastic. That thing? Fantastic. All Of The Things sound fantastic with them. I can't say the same for a KM184 that I put them up against when I had the chance… The poor Neumann couldn't keep up. The Lulus laughed it out of the room.
I'm guessing it's that great capsule Ben made, the Cinemag, and the "relatively" simple KM84 circuit powering it all. I suppose there's a whole bunch more tone in that than the transformerless design that's going on in the KM184.
I'd not really consider myself a proper DIYer, if I'm honest with myself, but I love to learn.
The only other thing I've put together since I was an early teenager has been an Audio Sector chip amp kit back in 2010. That was fun, but I didn't really have to design anything. I just had to solder things together and poke it in a case. (I'd recommend a chip amp to anyone, btw. Bloody nice sound, right there.)
I started wondering to myself what it would be like to change out a few components and tinker away, hopefully without buggering up the great work Ben and his crew had done when he made them. What effect would that have on the tone of the mic?
To cut a long, probably boring, story short, I decided that if I was going to do "something" then I might as well go hard and learn a few new skills to add to my quiver and see what I come up with.
So I present, over a couple of posts, the story of a custom KM84 based SMD PCB replacement that I tinkered up. (I'll upload the Eagle files when I get a chance if anyone is interested).
I'm super-interested to hear what everyone thinks, especially considering the polarising discussions of through-hole vs. SMD!!
- Edited to avoid confusion about why I'm modding already amazing mics -