Stagefright13 said:Actually I will look into the pops when I get free with my limited knowledge. But will be another week until I am free.
Doesn't effect me actually cause I rarely use that effect...
John
edanderson said:just a note to say that part of the behavior you are seeing is "how it is supposed to be" -- the rev A had IIRC about 6db lower threshold for onset of compression than the later revisions, due to higher gain in the first amp stage. this is part of why people think they sound so different from the rev D, etc. people who know the rev D would set the knobs on the rev A the same, and the rev A would compress at lower input levels.
your solution will work, but you might consider instead looking at the schematic where the pickoff to the sidechain starts (at the top of the output pot, R23) and putting an attenuator there or possibly right at the input to the sidechain (C17). that way you don't have to attenuate your audio all the time to get the threshold in the range you want.
ed
stereokillah said:i've try to draw a wiring guide for REV A with on off position on switch and without gr disable,
i checked all the 1176 topic to know and modified the rev D wiring guide v3, i think it's good but no sure cause i'm beginer.
Let me knows if thereis some wrong link.
thank you
edanderson said:download a copy of the jbl/urei 1176 manual, which includes a list of all the changes between the different revs; looking at the schematics might provide some insight to the sensitivity issue as well...
not sure about the plosive problem.
edanderson said:just a note to say that part of the behavior you are seeing is "how it is supposed to be" -- the rev A had IIRC about 6db lower threshold for onset of compression than the later revisions, due to higher gain in the first amp stage. this is part of why people think they sound so different from the rev D, etc. people who know the rev D would set the knobs on the rev A the same, and the rev A would compress at lower input levels.
your solution will work, but you might consider instead looking at the schematic where the pickoff to the sidechain starts (at the top of the output pot, R23) and putting an attenuator there or possibly right at the input to the sidechain (C17). that way you don't have to attenuate your audio all the time to get the threshold in the range you want.
ed
Enter your email address to join: