dbonin said:
Spadehead said:
Thanks for the link - interesting point but my problem is that my units seem to be compressing more than they should - almost like there isn't as much input attenuation happening.
Most folks tend to agree on a starting point of 12/12 and driving more for more compression, leaving quite a lot of wiggle room for high levels of compression (dropping the output pot).
I can't get to that level with a 0VU average input level on the console without having the in and out pots at 9am - meaning that if I push the levels they get FAR too loud and useless- raising the noise floor etc - the only option is dropping the input level on the console - not something I should have to do.
It feels like the input needs to attenuate more so that I need to boost the input pot so compensate if that figures? Or am I going crazy??
Thanks in advance....
I think this is a really great thing to understand and now that you pose the question I would like to know and understand this better myself - if i understand you correctly, you want to be able to crank the input to get lots of compression WITHOUT clipping or distorting downstream, but you can't do this with a 0VU input into the 1176 - doing so causes you to have either the INPUT or OUTPUT on the 1176 almost OFF in order not to over saturate the next stage in the signal path?
Just for grins, when you measure the input signal you are using going into the 1176 coming from your console, what do you measure on your DMM for AC volts?
What is the ideal do you think? So if i feed my units .775 volts (0 dbu) signal, and i set my input/output to 12/12 on the dials (or somewhere near that) I'm looking for something near .775 volts on the output? In other words, we're looking for where unity gain occurs, in relation to the position of the I/O knobs?
I'm still unsure about this. I checked through my build again. Voltages ok. Calibration okay. Wiring ok.
In the 1176 manual it states unity is with both input and output pots at 12 o'clock but I can only get unity at 0VU on the meter when my signal generator on the input is at -10dBU. When racked up and in the patchbay, every input seems to be too loud for the unit - when in +4 mode I can only zero the meter when in/out pots are at 9am!
This renders the unit slightly unusable as I have to either pad the input 10dBs or have the output pot almost off. Most folks tend to agree on starting at midday on both pots and turning them against each other for more/less compression.
I found another post describing a similar problem where David Kulka was suggesting a 1.8k at R12 and I thought I'd finally solved the issue as this would lower headroom and mean at were kept at 9am so I quickly checked my build but I already have the 1.8k pots installed so I'm back to square one.
Is no-one else experiencing what I'm talking about or am I going nuts? I have the same issue with both Rev D's and a Rev A and don't have these issues with any other comps in the studio.......
Anyone??