Unfortunately, I don't yet understand everything well enough to answer the question myself, but would it be possible to create around 30v to polarize the capsule using a circuit like this in a Schoeps-style circuit? I've seen it used in xfmr circuits but never in Schopes-style circuits. IIRC, the old version of the u87 polarized the capsule in a similar fashion.
What would the downsides be aside from an increase in S/N?
View attachment 120557
My first stop would be to replace the PNP Transistors with low power P-Channel Mosfets (BSS84 e.g.) and a bias Network in the MOhm. Otherwise 47nF coupling capacitance give ~40Hz -3dB roll-off, on top of the capsule's roll-off.
The LSK170/2SK170 is not the best choice as J-Fet, fairly high input capacitance. This will potentially form a voltage divider with the Capsule, further reducing output levels and degrading SNR. At least use a second suitable J-Fet as Cascode. Another LSK170C would probably work.
R14/C3 seem misplaced, is it is intended to form an EQ.
Feeding the frontend from 12V reduces available headroom. The original design could work with P24 and even P12 Phantom power. If we are sure of 48V only operation (which is the case if we derive bias from Phantom Power), why not optimise the overload margins?
Run a 24V Zenner diode directly in the drains of the Mosfet's (or Collectors of BJT's) and use a 1k/100uF "denoise" filter. With 1mA current for the input, we have 23V for the frontend.
Set the source to drain (collector to emitter) voltage of the output devices to around 17V. This leaves ~ 40V to bias the capsule.
The frontend get's a pair of 5.6k resistors and can swing around 4V balanced which with a 10mV/94dB @ 60V Capsule operated at 40V, giving 14mV/94dB and theoretically 143dB unclipped.
Lastly, while 48V is the common Phantom Power Standard, there is nothing that stops you from increasing Phantom Power to 68V making in effect a new "standard" of P68.
A P68 powered microphone would provide 60V bias and need a switch to add a 22V Zenner diode to the power supply circuit to balance all voltages.
This would get us to 20mV/94dB with a 140dB overload ceiling and 3dB better SNR.
Here a schematic I have used on the usual "China KTV serious looking garbage mikes" PCB's to convert them to something that works pretty well:
The main circuit is modified mainly by replacing SMD Parts and adding a few.
The 10nF and smaller value capacitors are C0G, the remainder are Panasonic SMD Film. The parts creating the bias are on the bottom side of the PCB. Sorry, the Mic's are still in the Wherehouse in another country with my studio, so no photos for now.
In my own Mic's I take the J-Fet's off the PCB and place them directly the capsule, with two twisted wires carrying the signal to the PCB.
The Microphone bias parts shown leftmost are also directly at the capsule. So there are 4 wires from the capsule, not 2 and the capsule is essentially active.
The 22k resistor on the Emitter of T5 needs to be matched with the J-Fet. The J-Fet actually operates at iDSS, which is variable between J-Fet's.
I normally get a tape with a fair few J-Fet's and make nice matched pairs/quads for pairs of quads of identical mic's all then with identical "current adjustment" resistors. Note these are 2SK660, which are one of the better choices for actual capacitor microphones.
Thor