The "other" comp has two Threshold pots where the Release pots are on the OP's unit, No Release pots on the "other". Also Lateral/Vertical limiters were used for disc cutting. The Fairchild 670 being the most famous example...
MagnetoSound said:Yeah, I think pucho meant to say 'no release pots'.
mjrippe said:The "other" comp has two Threshold pots where the Release pots are on the OP's unit, No Release pots on the "other". Also Lateral/Vertical limiters were used for disc cutting. The Fairchild 670 being the most famous example...
MagnetoSound said:Don't pull any tubes yet. Low, distorted signal could indicate a loss of power in one or more of the stages. It is not uncommon for B+ resistors to crap out. First check I would do would be to look for voltage on each of the suspect tube plates to verify whether B+ is getting there.
MagnetoSound said:Regulators can short, so that would be a good check once you have replaced the open resistor. It will be fairly obvious, of course, if that is the case.
They are one of the cheapest tubes to get though.
Up for bid is a VERY rare vintage MCI tube 2 channel compressor /limiter used for stereo mastering. This unit was one of 4 that were designed and hand built by Jeep Harned back in 1964 at his original music center store/shop in Ft. Lauderdale, Fl. This is the same type comp/lim. that Mac Emmerman used in his disc mastering system at Criteria Recording Studios up until around 1978 when he sold his original Scully Westrex system. The MCI comp/lim. is a Jeep Harned version of the Fairchild 670 45 45/lat vert type triode comp/lim amp. The unit uses 6ES8, 12AT7 and a pair of 6AQ5 connected as triodes. This unit has an outboard regulated Westrex B+ supply and a 6.3 volt DC power supply for the filaments. The unit uses a triad HS-14 for the input, a Stancor WF-22 interstage and a Langevin 322B output for each channel. This MCI amp has adjustable release time for each channel and adjustable threshold for each channel mounted on a remote panel. The original metalwork had the threshold adjustments on the front of the unit but Jeep changed this to the release time as everyone wanted this adjustment. The threshold was fixed with 1/4" phone jack connectors on the back of the unit if threshold adjustment was wanted. I have included a panel with controls and 1/4" plugs for this. I purchased this unit from Jeep Harned himself in 1967. It is in working condition and sounds great! This is the perfect unit for that clean tube sound. Don't miss out on this very rare piece of recording history. This may be the only one of the four left in the US.