enthalpystudios
Well-known member
I'm working on reusing a meterbridge from an MCI board. It's got all the driver boards, and I've got leads to each display.... also, each driver board appears (hard to see in there really) to have about 3 IC's, and an accessible trimpot for each, so I have a feeling I'll be able to calibrate everything.
It looks like the bus and mains meters have a lead for each, plus a shared ground, and the same for the 24 channel meters.... lead for each, shared ground.
I'd like to place these 24 right before my recorder inputs, and then eventually calibrate them to light appropriately.
Couple questions:
Does anyone know which rails these things really need to see? This is from a JH416....... Right now, it looks like they're hooked up to binding posts for +/-24, +/-5, +21, and 0 V... I'm just wondering if they really need all of those, or if some of that is for the talkback and unnecessary, and some of it looks like it's only hooked up for power indication for the other rails (audio and etc.)
Also....
What type of signal are these things expecting? HiZ/LoZ?
And also, can I "Y" off of the leads that I'd like to monitor? Say from the patchbay, where my recorder inputs are wired, or do I need an input buffer for each of these. They obviously don't have an "out," just an "in."
This probably sounds like an idiotic adventure to a lot of people, but I'd really like to learn how these things work.
The whole concept of "splitting" is really getting me... I'm trying to get my head around how splitting is done correctly. A phase splitter? This, from reading around, seems to be done with a transformer, a tube, or an opamp... This seems to inflict whatever you're using as a phase splitter onto the sound.
I also hear things about "buffered inputs." I need to get a book or two, because I just can't find a simple explanation of the basics of a buffered input anywhere on the web. I'm not sure if this is what I'm after even.....
For example, if I have a signal chain that goes wherever it goes and then gets split into signalA and signalB, is there a way to send signalB to a meter without affecting the sound of signalA? I'm just trying to figure out if, and how, a signal can be split so that one of them remains intact and "uncolored."
I realize I'm a complete newbie with these matters, and if I sound like a complete idiot, or if I'm asking an absurd question, feel free to let me know... It's keeping me up nights is all. All of this is.... In the last 6 months lurking around here, the entire concept of *building* my own gear (that's NICE at that) is blowing my mind.
Anyway, if anyone has any thoughts or answers, thanks ahead of time, and thanks for this amazing resource.... some of you guys really are amazing for the time you donate to this forum, and it's just really awesome.... I've always 'worked within my means,' but you guys have totally opened up my eyes as far as what 'my means' are.
Billy
It looks like the bus and mains meters have a lead for each, plus a shared ground, and the same for the 24 channel meters.... lead for each, shared ground.
I'd like to place these 24 right before my recorder inputs, and then eventually calibrate them to light appropriately.
Couple questions:
Does anyone know which rails these things really need to see? This is from a JH416....... Right now, it looks like they're hooked up to binding posts for +/-24, +/-5, +21, and 0 V... I'm just wondering if they really need all of those, or if some of that is for the talkback and unnecessary, and some of it looks like it's only hooked up for power indication for the other rails (audio and etc.)
Also....
What type of signal are these things expecting? HiZ/LoZ?
And also, can I "Y" off of the leads that I'd like to monitor? Say from the patchbay, where my recorder inputs are wired, or do I need an input buffer for each of these. They obviously don't have an "out," just an "in."
This probably sounds like an idiotic adventure to a lot of people, but I'd really like to learn how these things work.
The whole concept of "splitting" is really getting me... I'm trying to get my head around how splitting is done correctly. A phase splitter? This, from reading around, seems to be done with a transformer, a tube, or an opamp... This seems to inflict whatever you're using as a phase splitter onto the sound.
I also hear things about "buffered inputs." I need to get a book or two, because I just can't find a simple explanation of the basics of a buffered input anywhere on the web. I'm not sure if this is what I'm after even.....
For example, if I have a signal chain that goes wherever it goes and then gets split into signalA and signalB, is there a way to send signalB to a meter without affecting the sound of signalA? I'm just trying to figure out if, and how, a signal can be split so that one of them remains intact and "uncolored."
I realize I'm a complete newbie with these matters, and if I sound like a complete idiot, or if I'm asking an absurd question, feel free to let me know... It's keeping me up nights is all. All of this is.... In the last 6 months lurking around here, the entire concept of *building* my own gear (that's NICE at that) is blowing my mind.
Anyway, if anyone has any thoughts or answers, thanks ahead of time, and thanks for this amazing resource.... some of you guys really are amazing for the time you donate to this forum, and it's just really awesome.... I've always 'worked within my means,' but you guys have totally opened up my eyes as far as what 'my means' are.
Billy