oscarhuang
Well-known member
- Joined
- May 22, 2020
- Messages
- 159
You are right! I don’t wanna keep the secret. This is a Western electric 408A. A 270 OHM resistor series to filament.Do you have pictures from other angles?
You are right! I don’t wanna keep the secret. This is a Western electric 408A. A 270 OHM resistor series to filament.Do you have pictures from other angles?
here you can get these sockets for small moneyI found these sockets destined for wire ended valves ,
A few of them would make a handy burn-in/test rig for wire ended submini's ,
Ive emailed to get a price .
To get a decent sound with 408a in U47 i found that you have to do more than just adjusting the heater voltage. I increase the cathode resistance to get more second harmonics and lower the plate resistance to get a better low end. Unfortunately lowering the plate resistance can't be done between the tube and the socket. You have to parallell the 100K plate resistor (installed in 1 minute and removed in 10 seconds). The different brands of 408a do not sound and behave the same so I haven't found a general circuit yet.You are right! I don’t wanna keep the secret. This is a Western electric 408A. A 270 OHM resistor series to filament.
Reminds me of the (probably true) theory that the 'superior' sound of LPs is actually a euphonic effect of needle vibrations resonating through the vinyl and back to the cartridge again.
The theory was put forth by audiophiles and audiophile magazine editors, not by record labels - and was way before the CD era. Folks were theorizing about why in many cases LPs sounded better than the same releases on R2R tape (despite the surface noise).It's just marketing and hype of Record Labels trying to make a few more bucks in an age where CD's don´t sell.
Vinyl is very limited and inferior in all the technical specs, and sounds that way.
It was never chosen as a consumer format because of quality it was adopted because it was very cheap to produce and very fast to fabricate in big quantities.
I wonder if people were actually aware that masters for LPs are way different.The theory was put forth by audiophiles and audiophile magazine editors, not by record labels - and was way before the CD era. Folks were theorizing about why in many cases LPs sounded better than the same releases on R2R tape (despite the surface noise).
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