..a small piezo in parallel with tone cap..?
Got one of those probes. Used with 1960's Tek 1S1 sampling plug in. Not very useful these days.I knew Id seen this tube before somewhere and commented on it
View attachment 112285Its used in a Tek CF probe ,
I agree, they are some of my favourite sounding tubes. They sound great in Horch and Soyuz. They also have pleased my ear the most in a 47 type way other than a VF14m which I do believe has a special depth. I have both the Grosser clones, the Fet and the glass tube and I have tried the Phaedrus plus I have 3 Neumann original’s, spare VF14’s and a bunch of Fleas, Heisermen, Voxorama and other 47 clones and nothing compares to the real VF14 in a good 47 apart from the little AK5W in a Horch etc. to my ear. I’m surprised it hasn’t been used more for 47 type mics. I tried an original Horch with an ac701k against my new ones and despite the difference in the $3k tube the original sounded no better other than maybe the Neumann capsule. In fact I liked the harmonics of the 5654 more.I totally agree! I think that's why I love to build tube microphones.
I'm a big fan of the whole 5654/6AK5W/E95F family, they sound really good to my ears! (completely independent of the VF14, I have no way to compare).
I now have a proud NOS collection. Telefunken, RCA, GE, Phillips, Mullard...the nice thing is you get them for extremely little money. I pay between 3 to 6€ in original box per piece. Incredible, really a lot of tube for the money.
My favorite tube family so far for microphones. I have built up some circuits with it, the always sounds really good to me.The size, price, availability and the low microphonics and noise have convinced me, the whole package is right.
The Russian relatives I still have to check!
Microphonics in tube microphones make me think about maybe designing in some positive feedback in a microphone circuit
...or you can use a tube that is notorious for microphonics. The EF42 (successor to the EF14) for Rimlock sockets would be a good choice. Maybe you can tune it by ear with some mechanical decoupling?..a small piezo in parallel with tone cap..?
I have done some promising experiments on this topic. In my opinion, the output transformer should be adapted in the direction of 10:1, the VF14 has more driver capabilities. Some are known to use the 2 tube approach to compensate for this, I'm not a big fan of that. Otherwise you could use an EF800 U47 schematic as a starting point, maybe reduce the anode resistor a little, the grid resistor doesn't have to be 1G either. Let your ears decide.Has anyone built a DIY 47 with a 5654? What major changes would be needed to accommodate one in a 47 circuit?
Hi, i tested both ef42 and uf42... it sounds very good but these tubes are indeed highly microphonic and ring like hell......or you can use a tube that is notorious for microphonics. The EF42 (successor to the EF14) for Rimlock sockets would be a good choice. Maybe you can tune it by ear with some mechanical decoupling?
Does anyone have experience with the EF42 in U47 style microphones?
Hi, i tested both ef42 and uf42... it sounds very good but these tubes are indeed highly microphonic and ring like hell...
The EF42 (and the UF42) seems to have earned its reputation for microphonics ...ideal for experiments on this subject.I have also built some microphones using the EF42. A brilliant sounding tube that no attempt at all was made to dampen it's microphonics. Probably the most microphonic tube I have ever tried for audio
Thanks for the recipe. Yes, the EF184/6EJ7 is also very interesting in the U47 context. It is a frame grid pentode and the last development stage in the EF14-EF42-EF80X-EF184 series.Try an EF184 in triode mode, 200V plate supply, 75K plate resistor, bias about 1.1V, heat at 5.7V. I use a Cinemag NiCo 6.5:1 transformer. Wonderful!
I don't think so, the tubes are too different for that. EF184 is clearly in the tradition of its predecessors and has been greatly improved. As I said, it is a frame grid tube that can do almost everything "better" than the EF86. Much higher anode current, slope, power, gain, that's already in the direction of a "super pentode" such as D3a, E280F or E180F, which might also do well in a microphone. Has anyone tried this? These super-steep pentodes are not so easy to handle.I've been told that the EF184/6EJ7 was developed specifically to replace/update the EF86. I find that they work very well in that capacity. I don't mean pin-for-pin, I mean sound and potential applications.
That's not the case on my side of the pond, on the contrary, which I see as a big plus.They're a bit harder to find then I'd like.
Rock Solerstrom, sorry for my lack of clarity, I meant that the ER184 was "the next generation" up from the EF86, thus the improvement in its capabilities to do similar tasks. And, you're lucky to have all those EF184s available. In the U.S., they mostly show up in 1s and 2s. A friend bought 250 "EF184s" and they turned out to be counterfeit. At least I thought that they were counterfeit, because the voltage readings (resulting plate voltage/bias current in the same circuit) were off by more than 50% from tubes I knew to be authentic, and there were no printed or etched markings on the tubes.I don't think so, the tubes are too different for that. EF184 is clearly in the tradition of its predecessors and has been greatly improved. As I said, it is a frame grid tube that can do almost everything "better" than the EF86. Much higher anode current, slope, power, gain, that's already in the direction of a "super pentode" such as D3a, E280F or E180F, which might also do well in a microphone. Has anyone tried this? These super-steep pentodes are not so easy to handle.
That's not the case on my side of the pond, on the contrary, which I see as a big plus.
I'm going to try the EF184, if I've seen correctly it's the same pinout as the EF800.
How big is your grid resistor? The original 60M or more?If you use my recipe
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