Good morning,It's been a couple years since your post, but if you're still out there: Any issues at higher levels using the NTE4 transformer?
Anybody else have thoughts about the NTE4 or other trannies in Graeme's setup?
Cinemag CM-5722 seems most popular, then 3U GZT-84. What about this NTE4 or Cinemag CM 13113, or even the Analog Classics MT811?
I'm curious what people have tried, and any noticeable differences in character.
Happy Easter Monday!
To answer your question:
I'm still fully satisfied with my choice of transfo. Even at loud volumes the mic holds his ground with no distortion/audible saturation. EDIT: The transfos I used at the end were Neutrik NTE 10-3 on a 7:1 setting output, so: Blue= + Black= -
The only place to watch out for, is at the junction of the Capsule - R1 & C1. That is, from my understanding, where you could overload the Neumann circuit at High SPL. There is a cap, C2 with a value of 4pF (C3 on the first Neumann schematic) in conjunction with rest of the network which is responsible for "how sensitive" for lack of better words, your mic will be. Over simplification I know, if someone wants to phrase it better please do. And with two caps- C2 & C9 that can be put in parallel thanks to S1, we obtain a -10dB? PAD on some of the KM models.
I use the NTE4 and the NTE10-3 on other SDC builds. But you'll have to find a way to glue them/hold them tight on the KM84 PCB.
Graeme's PCB's are well designed & easy to populate. Before you start soldering I advice you place the caps/resistors etc in their spots and check for height/size clearance. Height/size, caps available & trimmer were a bit problematic for me due to the body I was using (Apex180). Do not place the 10K step trimmer on top like me, put it underneath like Graeme .
Hope that helps.
M
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