A success on the first try. ;D
It's not quite the "cream come true" mellow sound and the reason is clear as daylight now that I look at the schematic and actually hear it. It's a high gain guitar preamp! I mean, of course it is and why didn't I see that earlier. It's just interfaced clean to the balanced world. And when I say clean I mean 10hz-35khz +-0.5dB. Distortion at the cleanest setting is 0.2-0.3% (RMAA blasted at AD/DA 0dBFS levels ie. loud, not a +4dBU reference test). Obviously there is headroom.
I drafted in that output stage feedback but it's not going on the front panel and will be removed from the schematic. What would be the point with the above figures?
Easily the best mic preamp I have. The best I've ever even heard, but I designed it so I'm biased. The "no cathode bypass" setting is such a strangely articulate midrange and stereo image I haven't heard it before. Acoustic guitars will record like a dream. The Lundahl input of course gets some points for that as well.
That's was the clean setting.
Flip in the bypass caps(about +12dB of gain), boost bass, cut highs, and first it starts to softly crumble (but not fart!). Bass authority, drum bus and vocal low/mid grunge like I meant it to be. "sly and the family stone - family affair", "Little Richard - Tutti Frutti" and "Percy Sledge - When a Man Loves a Woman". All there! ;D
But move on to highest gains and we're talking Soldano lead channel amounts of distortion.
Lovely! 
I didn't expect it would explode like that! It really does scream like the better more articulate boutique guitar lead preamps. By accident. I didn't see that coming. Fun! I have two high powered super lead channels now! What incredible range. At this point yesterday at home I went "Muahahahahaha!" from sheer happiness.
But it's also somehow more controlled than lead channels. I think it's due to the regulated B+ which is uncommon in guitar world. I just adore the setting when it really boosts the bass and cuts the highs and the distortion/overdrive added the lost highs back in a screaming creamy mess. Had to listen to hours of music on this messy setting.
I have something very unique here that's for sure. The musical equivalent of this.
Some additional points,
1. With the tube biasing switches and it was quickly clear that hot bias sounds better and softer when overdriven. I compared resistances between optimal (from plate curves), double the optimal, and half the optimal. So I will update the halved values into the schematic. Switching between bypass cap and no bypass does not pop by the way. Just a +12dB of gain and a slight change of distortion characteristics.
I also found a good design rule now that this amp allows great range between clean and dirt. If unsure about certain setting/bias/cap/etc. drive it to mad distortion, find the best sound. This will sound best clean as well.
2. I will definitely add in the low B+ setting, let's say 150V. It'll be fun to hear the amp lose control.
3. That PSU block runs really hot. I may have to make some messy changes there.
4. Sorry for the bad quality phone camera images. Now I have to design a front panel for this.
5. 50hz hum could be 10dB lower. Probably something to do with B+ grounding points. I included many for experimentation with the layout so I'm not worried.
6. Tubes seem to match strangely well. I knew 6n6p's are generally stellar, but it seems so are the 6N8S(6SN7). Even at the very high gain/distortion they match. And these are just the first ones I popped in. I thought this wasn't supposed to happen with no feedback. I guess the Soviet Military knew what they were doing. The 6N9S(6SL7) tone stacks are of course swimming in feedback but seem to perform generally well. Later when I can afford it I intend a shootout between these and the western equivalents.