If you don't mind sharing, am curious about what other opamps were tested and the opinions on those?
Full range of TI audio units, JRC Muses and Audio standard parts, some AD I forgot.
Generally the latest units did better, J-Fet over Mosfet in and Fet over Bipolar.
The main outlier was OPA1652 which ended up most preferred. In a separate test we compared it on adapters to OPA627 and OPA637 which in my books are still are still the gold standard for sound quality. It was very close, to my ears indistinguishable.
It should be noted that the circuits did not stress the Op-Amp's, moderate loads, levels. More stresses may change the outcome.
Since the big test the OPA1656 has been introduced which objectively performs even better at a modest premium and even better objective performance and the industrial OPA2156 which is not just re-symbolised but slew rate enhanced.
For mass production or mass modification of existing gear full of 5532 & 074 my suggestion is OPA1678/OPA1679 (Dual/Quad) due to VFM.
For small scale DIY I'd go with OPA1656 or OPA2156, depending if slew rate or HF distortion are of greater concern.
The JRC units, 553X, TL07X/TL08X are not competitive, some AD IC's scored highly but are very expensive.
I observed some loose correlation with (internal) circuit design.
Double Differentials with J-Fet input (which in discrete are a staple of legendary "good sound" Hifi gear from Luxman and the various DIY Kaneta designs) tend to end up in top.
Folded cascodes come next and are close.
These structures for input lock out all top positions.
Classic "Lin/Self" style circuits with differential in loaded by current mirror and SE VAS are all clustering near the bottom, especially Bipolar input ones.
Outputs including different structures like diamond or traditional follower vs. rail to rail outputs showed no obvious correlation.
No obvious correlation with THD or other objective parameters was found.
Thor