ruffrecords
Well-known member
My3gger said:Hi,
judging by many posts here, other forums and some tests it seems like haromic spread of ECC83 used in normal way (high anode resistor, etc.) has harmonic spread that isn't as good as some others. For example octal tubes like 6SN7/6CG7 you wrote papers about, can't find much that would go as deep about ECC83, except for mostly writing without real tests.
I would really like to know what you think about it, is it NFB that makes higher (and lower in this case) harmonics so much lower that even ECC83 sounds good like this? Or is output stage giving more sound that masks input tube's harmonic spread? My tests seem to confirm this, although with pentodes where difference is obvious.
Couldn't find almost any comment from you about it while searching around. Please comments if you don't mind, i can write in another thread for Euroboard Mic Pre if needed. Thanks for any reply.
About the time I tested the loads of 6CG7 tube based mu followers you have read about, I also tested some other types of tube arranged as mu followers. The interesting thing about testing double triodes in a mu follower configuration is that you automatically have a very high effective plate load resistance so you get to see the tubes intrinsic distortion pretty much untainted. This basically means the distortion you measure using a mu follower will be about as good as it can possibly be for that tube.
I tested a range of different tube types - ECC88, 12AU7, 6N1P, 6N23P and a number of 12AX7s. The most surprising result of all this was that the 12AX7 has a very low intrinsic distortion - lower even than the 6CG7/6SN7 - in fact it was the lowest of any tube types I measured.
The 12AX7 is a preamp tube - it runs at about 1mA typically and so it has no output drive capability - hence it is used mostly in early stages. In triodes, distortion is directly proportional to output signal level so a 12AX7 working in an input stage should produce incredibly low values of distortion. High signal levels only occur in output stages so that is where 99% of all the distortion usually occurs. Any NFB really serves to reduce the output stage distortion - any distortion contributed by the 12AX7 is negligible.
This applies directly to the Eurocard. The output SRPP stage has about 28dB of gain so even when the output is running at +20dBu, the 12AX7 output level is only -8dBu. It distortion is no more than one tenth of the SRPP stage and its operating level is also below one tenth of the SRPP stage so its overall contribution to distortion will be way below 1% of the total distortion.
Cheers
Ian