Didn't Retro do a mic preamp with 2 tubes for the 500 series?
You’re likely referring to the Retro 500PRE, which has 3 12AT7 tubes. I actually came here to ask about its compatibility with the Sound Skulptor 501 single slot host.
@JPK, I have one of your 501’s and was wondering if it would comfortably host a Retro 500PRE or your MP566 (they are pictured together on your site, but I’m double checking for clarity). Also, which iteration of the 501 switcher (2 or 3) would work best if applicable here?
The 500PRE power consumption is as follows:
+/-16 Volts 155 ma. 48 Volts 3 ma.
I assume even the Switcher2 is sufficient with its +19/-19, so my question is more on the ma draw. (same question would apply to your own MP566 tube preamp being that it draws “less than 160ma.”
Also, since the 501 is well-vented, I have to assume heat would also not be a problem with either preamp?
Another question for you and anyone else with experience: which of your preamps would you suggest as a great versatile all-rounder colorful mic pre/DI that could also be used as a color box of sorts for passing individual tracks and mixes through? I have super transparent pres at my disposal already..would like something closer to the opposite end but suitable enough for passing full mixes through. I’m looking at MP566, AB528, and MP573 (with the latter two having the added appeal of relaying the DI through the input transformer).
Thanks in advance!