micaddict said:Yep, U67 has the filter, too. Inside, S2 can be bridged or jumpered. Not to be confused with the HPF on the body (200 Hz HPF).
I've never heard that the 5840 was anaemic in the lows, but ideally it may ask for a transformer with a different ratio? Wiser guys than I should be able to do the math.
Apart from ratio, size can play a part, too. Some say the big tranny in the first C12s goes a full octave lower than the later Haufe T14/1.
Anyway, no doubt Oliver had his reasons. But unfortunately, we can't ask him anymore.
And this brings me to another member who passed away recently. Kidvybes bought Dany's prototypes (thus in assembled state) of the M49b and the M269c. After that he had them fine tuned and among other things, the tubes were replaced for another type subminiature. Probably the 5703. But we can't ask him anymore, either.
As for lows, it depends what you're after. There's lows and there's deep lows.
If you'd want to capture the low note of a big pipe organ (16 Hz?) you wouldn't want to use an LDC anyway. A true pressure microphone (omni SDC) would be needed.
Then there's the 20-40Hz range. Bass guitars used to be above that, but now often come with a low B (approx. 31 Hz). That said, if you miss the fundamental, you'll still hear the tone.
BTW, yes, a 40 HZ HPF will have audible consequences a little higher up, too. But as a matter of fact, the HPF in a U67 actually has a stated corner frequency of 30 Hz, not 40 Hz. But 40 Hz better represents the real world effect.
If you don't use instruments that go below 40 Hz, like vocals, acoustic guitars and many other instruments, you're often better off without the low end sensitivity. Full range mics are very sensitive to rumble. You can acyually see this when you look at the woofers of your speakers come play back time. You need great isolation to truly avoid that.
Then there's the usual lows as well as low mids. Let's say 40-400 Hz. This range is what actually in most cases gives that full and meaty sound. Think proximity effect etc. This sounds much more impressive than an SDC omni. But the latter goes lower.
If it's this kind of fullness and meat you're after, you should reconsider the -b version of the M49.
Ah. So it's inside the u67. Yes, it is sad about Oliver. Gone too soon. A guy who really loved electronics and microphones, and helped us all with his products.
I didn't know about Kidvybes. That is also tragic.
I don't really want deep lows. Stuff that happens under 30hz isn't really my bag. Often I hipass to 50hz or more. Bass I might not hpf, but most mics I have work fairly well. I am talking more about the 40-400hz range you speak of.
I think my plan is to make an m49 B and C version. I think I will make B version first, as I like the thickness I have heard about some m49s. So I ordered some more materials to complete the B version PCB. Then I can use the C version I already soldered up for the second mic down the road.
I am going to use Dany's D7 in at least one, perhaps Eric's in the other. Just to have two different animals to work with. I like variety.