Wired it up as follows:
1st link at the SC input, directly bridging the two (L&R) rectifier diode junctions.
2nd link of L&R at the SC outputs, directly after the added diodes (replacing the 1R), forming a junction when linked, with higher of two signals driving both channels.
So the two sidechains are linked with two wires. They read the same summed L and R DC at the input, and they both send CV (higher of the two) to control both channels equally.
Basically it's two identical sidechains. This allows to use just one sidechain (by jjust setting the other THR to 'off'), or use both sidechains but with different settings. Examples:
(1)
L-SC is set to slow levelling, R-SC is set to fast limiting. The higher of the two signals drives the tubes. (I had added super fast attack.)
(2)
L-SC and R-SC have different settings for riding 'chorus' and 'verse'. Changing over is done with the THR knobs (as the higher SC signal drives both tubes) -- or could integrate SC soft bypass switches to flip between the two sidechains.
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Anyway, having said and implemented it like that, I often stil prefer dual mono nonetheless (comp knee is soft after all) for that 'oceanic feel'.
Also, stereo linking like that can make differences in behavior between unmatched tube more noticeable. (I had added 100k trims for matching, see above).