If I understand well, you attribute the thump cancellation to the two cascaded differential stages. I may be blind but I don't see any other explanation for the second diff driver...?Heikki said:This topology might have some advantages when it comes to "thump".
??? What would be the explanation?Heikki said:I should have been clearer. I think that bringing the control voltage to cathode is what makes it thump less.
abbey road d enfer said:??? What would be the explanation?
Yes, very slight variation of Vka, but it amounts to an insignificant fraction compared to the swing.Heikki said:Edit: but there is a slight difference between these circuits.
Heikki said:Biggest flaw in transformers is that the good ones cost too much money.
It's easy enough not to clip IC's. In the design I posted it's not easy to get in to a situation where the user could be clipping any of the INA stages. Most likely whatever equipment is connected after the compressor will clip first. Easy enough not to have the power supply cause any noise or harmonics, especially since the current draw is so small. INA2137 outputs have 3.5uV noise voltage (f = 20Hz to 20kHz), so no need to worry about that noise either. Tubes will probably cause 100 times more distortion at all times compared to the line receiver chips. I didn't use electrolytics in the signal path but there's nothing wrong with using them. If distortion is a worry large enough capacitance is needed not to have any signal across the caps. Also if small amounts of distortion are a worry it's best not to use tubes.analag said:Transformer saturation sounds better than IC clipping to my ears, nor does it need the extra PS with it's noise and harmonics, electrolytics in the signal path etc.
I'm not sure if galvanic isolation is needed at home or professional recording studio but transformers do give that. I don't know what 3D soundscape is but maybe line receiver chips give better 4D soundscape or at least that's what I will claim. INA2134 has 90dB CMRR at low frequencies, 85dB at 20 kHz, 50dB at 1MHz. The cross coupled connection I used might have slightly better CMRR. Transformers probably have even better CMRR at low frequencies. If better than 90dB CMRR at low frequencies and ability to handle very large common mode voltages are needed, then transformer are good way to go.What you get is galvanic isolation, better 3D soundscape, higher CMRR, simplicity, free gain depending on ratio.
Heikki said:...I'm hoping someone has and is willing to part with a PCC189 that is known to be not well enough matched for use in a compressor. I could quickly see if there's any validity to what I'm saying.
Sidechain transformer is not needed. I used cheap Hammond 107N backwards to get 12dB gain to the sidechain and it also forms -3dB at 50Hz high pass filter when driven with 600 ohm impedance. Same could be achieved more cheaply with op amps.Script said:Question: Why an (expensive/cheap) transformer in the sidechain ? Could get rid of it ? Question 2: Entire side chain looks strangely familiar, maybe not, but I can't pinpoint it...
I'm only interested in PCC189 tubes that are know to be bad thumpers. When I bought my PCC189 tubes I thought they were too expensive and they were 3 times cheaper than the ones in that Dutch webshop.PermO said:This shop has 40 pieces NOS Siemens, 9 pieces Philips in stock, at a fair price;
Does this explain partially why there is less thump in your current version ??[transformer in sidechain] ...backwards to get 12dB gain to the sidechain and it also forms -3dB at 50Hz high pass filter when driven with 600 ohm impedance...
Script said:Does this explain partially why there is less thump in your current version ??
No. The cause of thump is a sudden displacement of the anode voltage when the gain cell is dubmitted to the Control Voltage. It has nothing to do with the signal frequency. Thump frequently appears on transients.Script said:I understand (sort of) what causes thump in the first place. The lower the frequency (say around 30Hz to 20Hz, plus maybe residual dirt below that), the more voltage swing -- coupled with inevitably imperfect, and even worse unmatched, tubes and.. thump-di-dumpty.
Indeed lowering the attack speed rejects the thump spectrum towards infrasonics, but the usual challenge is to get a fast attack and minimum thump.[Veering off here, but also wondering cos in the PRR unit I built a long time ago I had changed the 1uf cap feeding the sidechain to 2uf, effectively lowering that high-pass filter even further. It sounded better to me back then around preferred setting range, which I have to add is not ultrafast attack on that piece, unless it be for sound-sculpting squash.]
Lets say I have signal peak that would cause 1dB of gain reduction. Now I have badly balanced tubes and get a huge thump and the thump whacks the compressor in to 10dB gain reduction. If I have a high pass filter at the sidechain amp the huge thump perhaps only whacks the compressor into 9dB of gain reduction.Script said:What other effects casued by the thump might a filter in the SC lessen ?
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