I think every part (small or large) and its geometry & placement will have an effect on the acoustics.
I agree that the switch, metal contacts, spring, etc. all have an acoustical impact.
We could try to replicate all of those little parts, but then things get really complicated and expensive.
So, I just tried to replicate the parts that I feel will get things close without being too complex and costly.
If you look at one of my prototypes on the left, you'll see
-a lack of pattern switch+spring mechanism, various metal contacts, and small screws.
-no notch for the pattern switch on my capsule disc
-the holes in the capsule disc are in different spots
-my proto has two screws that anchor into the inner rails
So, not a perfect copy, but the general geometry is all there.
The brass alloy that the mesh is made up of is, I think, a trivial detail.
It is critical to use the correct wire mesh specs, however (wire diameter, mpi, and %openness).
I definitely have a match on the wire mesh specs (I posted comparison photos somewhere in the labyrinth that is this thread).
I don't think that using a different brass alloy than what Neumann used for their wire mesh will make a difference sonically.
Furthermore, I do not think that the chemical composition of the nickel plating will impact the acoustics either.
Now, the
thickness of the plating, on the other hand, could be important.
The best measurement that we have seen thus far for the thickness of the plating is .01mm, which is a standard plating thickness and what I have specified on my shop prints.