druu
Well-known member
Oh BTW, I haven't yet finished my BP EQ, still (slowly) sourcing parts and populating the boards. I'll be making it dual ganged for single control set, already have the Sontec with M/S for dual mono mastering duties.
druu said:Hey frazzman, where are you located? Worth updating your location in your profile.
I was in the same shoes as yourself when I built my Sontec (Igor's boards). I ended up hassling Harpo a tonne! But he was happy to assist and now I feel obligated to pass on that info so let me know if you need assistance at all.
Stepped switches aren't difficult, mega tedious but not difficult to put together. Use Harpo's spreadsheets and you can't really go wrong! Once you've done a couple and found your rhythm you basically lock into the process pretty quickly.
See here for some images of the process:
http://amnet.net.au/~amunday/sontec/images/
And here's something I think Harpo sent me a while back which will help make sense for Gain switches:
HTH.
druu said:Most pots and rotaries connect the same way; in, wiper and out. Centre '0' ones will have that extra ground reference wire you simply wire into the middle of your resistor chain, making four connections per pole.
Yup most use the 'uraltone' type switches. I buy mine through eBay, http://stores.ebay.com.au/supermarket098/ - super reliable seller for me. He also does 6 pole 24 step rotaries, required for shelving for a dual ganged BP EQ. He does all sorts, if you're buying a chunk from them maybe send them an email and ask for more of a discount, i'm sure they'll be happy to help out.
PCB's from Gustav, yes double sided and quite large.
Yeah I did have issues trying to source some caps, so far only populated resistors, relays, dip8 holders and regs. Looks like we need to buy the caps scattered (from different places, argh).
ricardo said:If you are going to use 'switched pots', you might as well build the Calrec.
Gyraf mentions the only 'difficult to get part' are the reverse log pots. But if you use normal log pots, it just means your frequency knob is backwards ;D
druu said:I think riccardo meant if you're using rotaries youre no longer limited by pot types.
druu said:As mentioned earlier I'll be making mine a dual ganged setup, one set of controls for stereo operation. I'll be sourcing the switches from eBay.
I got 60x NE5532's from eBay from a reputable seller for cheap. the last time I bought from futurelec, stock came from Thailand.
druu said:Not sure if we're thinking of the same thing here. I was referring to using a single, 4 pole rotary switch for controlling both left and right channels simultaneously.
Are you claiming that all Mastering EQs have only switched controls for Boost/Cut, Freq & Q? Got any examples?frazzman said:For mastering applications I don't think pots will cut it. Too difficult to match left and right channels with accuracy.
ricardo said:Are you claiming that all Mastering EQs have only switched controls for Boost/Cut, Freq & Q? Got any examples?frazzman said:For mastering applications I don't think pots will cut it. Too difficult to match left and right channels with accuracy.
Matching is a lot to do with good circuitry. Certainly M-series, which is what Gyraf's Calrec EQ is from, has been used to master many important records.
frazzman said:Hi druu.
I'm with you now, I can actually see when looking over the Net EQ thread that some builders have gone both ways, some have actually done what I had in mind, which is essentially dual mono with steppd switches.
I think your way is better though, less switches if we go with 4 pole and control both channels together..
I need to play with some of these rotary switches, I'm a bit confused as to how it would look in reality. If we are using 1 switch to control 2 channels, would than mean we would duplicate the resistors across two poles?
To better explain would it end up looking someething like this crappy paint drawing - assuming resistors are the same values on each of the two pole?
Sorry for the noob questions on this, never had the experience with these switches...
Harpo's spreadsheet seems to look like its covering the idea of seperate controls for each channel (but I'm sure its easily adapted to this situation)
druu said:frazzman said:Hi druu.
I'm with you now, I can actually see when looking over the Net EQ thread that some builders have gone both ways, some have actually done what I had in mind, which is essentially dual mono with steppd switches.
I think your way is better though, less switches if we go with 4 pole and control both channels together..
I need to play with some of these rotary switches, I'm a bit confused as to how it would look in reality. If we are using 1 switch to control 2 channels, would than mean we would duplicate the resistors across two poles?
To better explain would it end up looking someething like this crappy paint drawing - assuming resistors are the same values on each of the two pole?
Sorry for the noob questions on this, never had the experience with these switches...
Harpo's spreadsheet seems to look like its covering the idea of seperate controls for each channel (but I'm sure its easily adapted to this situation)
It depends. Some people may prefer dual mono if they have an M/S encoder to allow different settings for each channel. I already have a dual mono EQ so that's why I'm going for the ganged approach this time, strictly L/R.
Your pic looks about right. But it depends on what you need and which control you're making the switch for.
For example, if one channel requires a single pole 10k pot, a 2 pole rotary soldered with a chain of resistors up to 10k would be suitable for both channels for that single control (if that makes sense). So what you're assuming above is correct. For best tracking between the channels you would need to tediously measure each resistor to match them, pretty much a given for a mastering EQ.
druu said:I've not yet looked into the rotaries yet for this project. Just have a look at the boards; I think Barry's docs state to assume all pots are 10K unless otherwise stated. If a pot is a single pole 10K LIN, then multiply by two for both channels. For example Low Frequency Q control is a 10K Lin single pole pot. So for the rotary equivalent it would be a 2 pole pot, one pole wired to each board. Same for +/- Gain, single pole 10K Lin CT (the extra wire will be for centre tapped 0v reference, wired to the middle of your resistor chain.
Feel free to email me if you're not sure, i'll help where I can.
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