jeff : thanks for your help.... i want to use the profile in a couples of VP 26. The xfmrs are the same fit as the 2503.I want to try the new xfmrs wounded with litz. Api used them in the 512 c and the news 550A and 550 B.
For my modular project i will use ED's ones .
I want to share something that paul wolff published in another forum. He owned Api for a while.
Some history about Xfmrs.
somebody ask this question :
Can anyone out there tell me what manufacture/model of input and output transformers API has used for the 550A's and 312/512's over the last 35 years? Have they pretty much stuck with the same ones or have they constantly shifted? Perhaps Mr. Wolff could help out with this one?
Paul answer:
This is true for many companies, most of which discovered the same results in the 90's, some actually had records of it and just needed to find a substitute.
The original output transformers for just about all manufacturers in the "old days" had one thing that was done to them that was unknown by most of the the manufacturers because they never specified it and the winders just always did it.
This was a process that used ribbon like wire, where all the 4 windings were wound at the same time, to save money and time. This is why when you take apart an old transformer, it looks so orderly. The funny part is that the laquer used to glue them together turned to powder and no one could figure out why they old transformers sounded good and the new ones had an 80KHz peak.
Around 1976, it appears that the ribbon wire either got very expensive or just went away, and since most manufacturers had never specked this, the transformers were from then on wound with the 4 winding from 4 spools of wire. This cause inconsistant wrapping and hence the peak in the HF, which extends into the audio band, making the transformer sound a bit brighter.
Around 1997, it was discovered and identified, and the experimenting began, with the result being a type of wire called LITZ wire, which is a group of 4 wires twisted together at some interval and then wound around the bobbin. This created the same effect as the ribbon wire and identical results.
That is why some of the newer things out there now, finally, sound like the older ones.
Many companies discovered this, as LITZ wire has been around since WWII and was developed, like everything else, by the Germans.
Many mic transformers used the ribbon wire and a lot of them sounded different in the late 70's for the same reason.
Hope it provide some light on that subject .
cheers.
Pedro.