And in answer to your earler question...
You can power up and test an LA2a signal path with ONLY two tubes (12AX7 and 12BH7), the two transformers, and NO T4.
Everything else is sidechain. When the 'Peak Reduction' knob is all the way down, they do nothing.
The BEST way to learn, is to start with something working, then find out WHY ot works. -Even start with something that DOESN'T work, then figure out how to MAKE it work, then figure out WHY it works...
Look at my
recent Bloo LA2a build...
It has swappable transformers, mounted on sub-plates. So far, I've tried Jensens (some people LOVE 'em) I've tried Sowters, (some people LOVE 'em) I've tried UTCs (the originals, AND some different UTC options) I've tried EDCORs (some people LOVE 'em) and I've tried Lundahls. (some people LOVE 'em).
Guess what... they're all different characters. They're ALL loved by different people.
Here on THIS forum, you'll encounter some people who've built several different versions of the LA-2a. They've used different options, and they've resulted in different sonic characters. Some have tried "night-light-and-Vactrol" home made T4's, others have swapped tubes. Sometimes they've swapped BACK.
You'd think that if everything was so clear-cut, we could ALL just read up and use our experiences in collaboration with what we read of others' experiences... And yet we ALL tweak and twiddle until we settle with what we like.
Elsewhere, you may read a post by someone who bought the original UTCs for about $650 (the cost of an HA-100X and an A-24 on eBay.. recent sale prices) and they've decided that the LA-2a sounds fantastic with them fitted. -I'm not going to argue... I've got TWO LA-2a's with UTCs in them (one with an HA-100 and the other with an A-10 as the respective input transformers) and they DO INDEED sound fantastic!
...However, that other person (on Gearslutz or wherever) won't have the 'baseline reference' of other options... They just know that their home-build LA2a sounds fantastic. -But
LOTS of LA-2a's sond fantastic... probably MOST of them do. -They then start to profess that theirs is the best because it makes them feel better to tell people that theirs is wonderful, and you VERY rarely (if EVER!) hear people saying: "Yeah, my gear's not really all that good... there's better stuff out there!" (-If you did, Behringer wouldn't be making any sales!!!)
So I say that you'll learn more by just making something that WORKS first, then making something that works BETTER... -Why? -Beacuse you'll have HEARD the difference, not just read that there (apparently) is one. You'll have HEARD what the difference SOUNDS like... not just some person's (biased) adjectives.
Here's how far Scenaria and I went in terms of comarison...
JUST DO IT. -You can always fiddle later, and there is NO "best" one... I've built
countless versions, and they're ALL great. (something which the gearslutz alphas with their one cherished compressor don't have the luxury of reference, in order to appreciate!)
Build it. Test it. Love it. -Adapt it.. LEARN from it.
Then build another. Some times you'll prefer one, some times the other.
Keith