Bo Deadly and other,
Thank you for the good explanation and interest regarding this.
Actually, it's not a big deal that we need to make so much sense of, but I'm in a writing mood today, so I can explain how my thinking is about this.
Sure, I fully understand that I have no useful legal right to prevent anyone from stealing my idea and fabricating it as their own product and name.
So there is no registered patent or copyright for my DI-box design.
What might prove that it is my original design, is that it has since early 2004 figured in connection with my name in a number of discussion forums and other places on the web, what this may be worth in the context, I do not know.
The only thing I can do is appeal to those who want to benefit from this popular DI-box design is a little respect, kindness and gratitude for all the time and work that I and some others who have run this project for more than 15 years.
Every year, someone or some company contacts me and asks for permission to manufacture this
DI-box as their own product, and has received proposals for compensation of various kinds.
But I insist that this design is for you DIY people and is free to use and build in small numbers for your own use and for friends and colleagues, and so it will remain.
Regarding the simple circuit solution.
Sure, it's "just an amplifier" that drives a step-down transformer, no major rocket research, but it stands out with some specific things which the market's active DI-boxes normally do not have.
I have seen some odd manufacturer who probably got some idea from my design.
Also discovered that Rupert Neve's RND DI-box which came on the market around 10 years later, has a fairly similar design, but it has a JFET as the input transistor.
If I had the same design ideas as Rupert, I can be proud.
Of course it was a thought with my DI-box design, not a coincidence that the circuit looks like it does.
For those of you who are curious about my way of thinking about this old design, I write a little explanation below:
It has a BJT input transistor instead of a JFET.
The reason is that in 1975 when I made the design I only had access to the JFET BFW10, and I thought it was more noisy than the selected BC109C that we had in our amplifier manufacturing, I also not need the JFET's high input impedance.
When I re-designed the circuit for this DIY project in 2004, I decided to keep the BJT input transistor, as it is easier for some of the DIY people to get hold of this than a good JFET.
(good branded BC550C we now use has even lower noise than the old selected BC109C)
This DI-box has 1M ohm input impedance, (not 10 Mohm) the same as most guitar and bass amplifiers have.
This gives a more recognizable load and character for guitars and basses.
It has two cascaded (in a row) emitter followers, an NPN at the input with low current for high impedance and low noise, a PNP at the output with high current to easily drive a transformer with ratio 5:1, which also gives a level loss of 14-15dB that is suitable for feeding a microphone input.
These transistors are in their simplicity only two unity gain followers "no gain no pain" without negative feedback, also using the combination NPN and PNP has some advantages, for example, good clipping behavior.
I have chosen a total current consumption of 3.5 mA from phantom powering, this leaves an internal supply voltage of 24 volts which is a good compromise between drive capacity and headroom.
It has input protection with two opposite 12v zener diodes and a 10k series resistor that withstands the worst case scenario regarding overload on instrument input.
Although zeners such as clamp diodes have higher capacitance than two ordinary diodes connected between input and positive and negative/ground voltage rails, I trust these zeners more as good input protection.
It has a special "ground loop suppressor" circuit to avoid having a ground lift switch, which often causes problems with Phantom powered DI-boxes, as the ground lead/screen is necessary for this.
I chose to remove the normal input parallel jack "Thru" because this loads the instrument both capacitively and resistively when a longer cable is connected to a guitar amplifier or similar.
Instead, there is a "Monitor Amp Out" which is impedance converted and does not affect instrument input, and it has the same level out as instrument input.
It also has no PAD or Low-cut switch in original design, I wanted to make it as simple as possible to minimize construction problems for the DIY people.
It is strange that it can be so much with two transistors some resistors and capacitors.
But it is as we say here in Sweden "there can be many features on an iron skewer"
Yes, these were my thoughts on copyright and how I thought when I designed it in the mid 1970's.
All the best from
Bo