I might be a strange example because I have a
Dangerous Source that acts as both the D/A for my main outs and my monitor controller. The rest of my hardware goes through my other AD/DA converter (a MOTU).
You bring up a good point though. I guess I had been thinking that I would monitor off the board while I was mixing, then print the mix to the DAW, and if I wanted to listen back afterwards, I could just patch back into the stereo return and listen through there. I have meters to know how hot I’m hitting the DAW, and digital doesn’t alter the sound enough that I feel like I need to monitor the returns while printing. I know that’s not how things were done in the tape days though.