Gosh, where does the time go?
A couple of months more have passed ... I have some more parts ;D for my Class A projects, but sadly winter is here and it's time to hibernate .... away from the bench ... and into the
Lounge Room .. warm like ...
I got thru a lot in these last couple of months ... a pair of sum boxes, re-worked all of my remaining speakers AND finished up maintainence/restorations on my old and neglected guitars ... all spruced up and fine sounding
AND reworked my singled ended 6L6 hifi amp for better performance in it's role as 'most often listened to' ... 'low watts' monitor amp 8)
Thanks to Real EQ Wizard (REW), I tweaked up from 'sub 3' to 4.5Wrms for 4%thd. It took a lot of work - tube rectifier vs diode plug, plate voltage/current/thd measurements for the 6L6 se final ... but the diff was big! After that, I reworked the speakers to handle the extra power.
The thd profile at the speaker still showed a dominant h3 over h2 and significant higher orders, but a fairly big improvement in the 'regularity' of the distortion products .. was enjoyed by all
Now I have to upgrade the single 6sn7 gain stage (no nfb) where it is now, to a mu-follower stage for more gain at less thd, driving the final to full blatt (75Vpp).
Hopefully I can reduce the driver thd a percent or so ..
- the 6l6 ended up +408V B+, +370V plate, +364V screen at 47mA cathode quiesscent, fixed bias -35V .. with decent 6l6s but decidedly cheapo sino output se traffos (rated 60mA , 3K5 .. I think!)
- using 8ohm speaker with '4ohm tap' yielded the best 'power at 4% thd' results ... at a surprisingly low bias current. .... I measured all the way up to 70mA)
For a small, dry 8" box, it reproduced the double bass in 'walk on the ____ side' very well 8)
All it needs now is some decent output traffos! These guys start to bork pretty early.
This setup done proper could do quite a bit better
....
Putting together all the past summer's work has been really rewarding, into a 'relaxed lounge' rig .. for to be using as good-ol lounge room recording.
I have my notebook with an M-Audio firewire box, feeding a nice wooden rack with my own api-styled sum box, the fore-mentioned 'se 6L6 stereo' amp and a pair of my worked-over 8" 2-way vintage paper-coned driver, smallish timber speaker boxes.
Augmenting that, is an 80s Japanese hifi amp and another, bigger, heavier mdf boxed 8" pair; some modern 'peerless' drivers + 'vifa' silk tweeters with modified crossover in some old 'jbl' boxes
THOSE two different monitor sets are combined so give some real 'deep spacious' feel to a low-ish volume listening environment of stereo 2 + stereo 2.
Into all that are stereo stems for live , daw and vsti
.....
SHort story - sounds super 'compelling'
Listening to some classic stuff ... 'Angel of Ashes' by Scott Walker really takes you back to the day 8)
Anything calling for seriously articulated double-bass, my standard for 'hifi', is working super well.
I would say the se 6L6 amp is doing 3Wrms per channel on average with around 2.25% thd+n, and the ss yamaha amp is doing around 10Wrms at low distortion (< 0.1%) - with the two balanced by ear for my positioning in lounge room.
The big innovation here was pairing my stereo build of Jakob's gPultec eq with the se 6L6 amp. Tick. Tick!
A match made in heaven and the first time I've been really knocked out by either! They really complement each other perfectly.
I spent some time getting this eq build the way I like it - 2 channels in a 3ru box, with shielded toroids and some changes to the tube (6dj8) circuit to suit my choice of input (haufe) and output (lundahl) traffos.
Super low noise, super articulate. SUbtle until you push it
Now the SE 6SN7/6L6 spud amp has some real kik and sizzle 8) in those dry paper timber bookshelfers ..