Brian Roth
Well-known member
I had to think waaaay back about the audio switching logic...last 2" session I did was probably 20+ years ago. I think Roadrunner and I have the same logic in mind.
Example....vocal overdub. machine "normal" mode..
Track armed, machine stopped. That track is in input mode.
Roll tape, but not recording. Sync mode.
Punch into record. Input mode.
Punch out. Sync mode.
Stop. Back to input mode.
Non armed tracks, sync mode regardless of anything.
Individual tracks had some override switches for "not normal" situations.
At least that's what I recall in my aging brain! lol
Bri
Example....vocal overdub. machine "normal" mode..
Track armed, machine stopped. That track is in input mode.
Roll tape, but not recording. Sync mode.
Punch into record. Input mode.
Punch out. Sync mode.
Stop. Back to input mode.
Non armed tracks, sync mode regardless of anything.
Individual tracks had some override switches for "not normal" situations.
At least that's what I recall in my aging brain! lol
Bri