Matador
Well-known member
Also, here is a test recording I did with this U87 and the new Peluso capsule:
http://www.musicalsparks.com/images/u87/u87_guitar.mp3
I don't know the brand of the guitar, but it is a solid spruce top and mahogany sides and bottom. It has a very tight and controlled sound I think. Strings are medium gauge phosphor-broze.
This is not a raw sound file: I did my normal "acoustic guitar only" mix tweaks: high-passed it at 80Hz, dipped 3dB out of the 1.5kHz range (spanning about 800Hz to about 2.2kHz), and boosted everything above 3kHz by 1.5dB to bring out a bit more of the pick attack. There is also a slight amount of compression (very little...this track still has over 15dB of dynamic range!) and a bit of room sized reverb. Mike is about 1 feet away right at about the 12th fret, pointed at the space between the sound hole and the beginning of the neck. This is a lot closer than I would normally go in this setup, however the room was untreated and very boxy sounding so I had to bring the mike in until it wasn't noticeable. In a good room I would have backed this away at least another foot I think.
I'm still amazed at how good the mike does at capturing just about anything. For solo acoustic I think it's perfect: a good balance of the meat of the guitar in the 300-600Hz range, and great pick definition and transients in the 1-3Khz range. This capsule is definitely a bit more detailed in the high-mids and high end as compared to the original.
However I'm not sure how well this track would sit with a male singer: I would probably switch the guitar to something like a C12 and switch the U87 over to the singer as the C12 is midrange neutral in the areas where this U87 is pronounced (and vise versa). I would take out a ton more low-mids and midrange anyways and boost the pick attack even more, which is what the C12 is kind of giving you for free.
http://www.musicalsparks.com/images/u87/u87_guitar.mp3
I don't know the brand of the guitar, but it is a solid spruce top and mahogany sides and bottom. It has a very tight and controlled sound I think. Strings are medium gauge phosphor-broze.
This is not a raw sound file: I did my normal "acoustic guitar only" mix tweaks: high-passed it at 80Hz, dipped 3dB out of the 1.5kHz range (spanning about 800Hz to about 2.2kHz), and boosted everything above 3kHz by 1.5dB to bring out a bit more of the pick attack. There is also a slight amount of compression (very little...this track still has over 15dB of dynamic range!) and a bit of room sized reverb. Mike is about 1 feet away right at about the 12th fret, pointed at the space between the sound hole and the beginning of the neck. This is a lot closer than I would normally go in this setup, however the room was untreated and very boxy sounding so I had to bring the mike in until it wasn't noticeable. In a good room I would have backed this away at least another foot I think.
I'm still amazed at how good the mike does at capturing just about anything. For solo acoustic I think it's perfect: a good balance of the meat of the guitar in the 300-600Hz range, and great pick definition and transients in the 1-3Khz range. This capsule is definitely a bit more detailed in the high-mids and high end as compared to the original.
However I'm not sure how well this track would sit with a male singer: I would probably switch the guitar to something like a C12 and switch the U87 over to the singer as the C12 is midrange neutral in the areas where this U87 is pronounced (and vise versa). I would take out a ton more low-mids and midrange anyways and boost the pick attack even more, which is what the C12 is kind of giving you for free.