I bought a Speck M72 line console about 6 weeks ago. Sonically, it is pretty transparent with just a bit of euphonic "mojo". There was an integrated patchbay which did not have enough room for all our outboard, so I rewired the console to TRS ins and outs. This left an empty space about 11 inches wide. Hmmm...how to fill?
The M72 is a split style console with the 16 buses appearing on 16 pots in the master section with no L-R assign or solo or insert features. In my workflow I definitely favor a more inline approach, so I decided to make a new add-on master section and add 16 bus faders with switches for solo, independent L-R assign and insert engage. Why stop there? I thought it would be cool to have a switch which would change the summing amps. I like the Speck sonics for transparency so that would be one option, and then how about the other two classics, Neve and CAPI? I went with 2 Neve 1272 amps and the CAPI 2ACA-BO. All the connections to the new master section are on DB25 to keep things modular and make it easier to work on.
So far so good! I have the master section almost finished. I just need to install balanced line drivers for the Speck master and balanced line receivers for the studio monitoring section of the existing Speck master. The bus switching I did all point to point. If I did it again I would probably do circuit boards :-\
The summing switch is pretty awesome. Very different flavors especially when pushed a bit.
The M72 is a split style console with the 16 buses appearing on 16 pots in the master section with no L-R assign or solo or insert features. In my workflow I definitely favor a more inline approach, so I decided to make a new add-on master section and add 16 bus faders with switches for solo, independent L-R assign and insert engage. Why stop there? I thought it would be cool to have a switch which would change the summing amps. I like the Speck sonics for transparency so that would be one option, and then how about the other two classics, Neve and CAPI? I went with 2 Neve 1272 amps and the CAPI 2ACA-BO. All the connections to the new master section are on DB25 to keep things modular and make it easier to work on.
So far so good! I have the master section almost finished. I just need to install balanced line drivers for the Speck master and balanced line receivers for the studio monitoring section of the existing Speck master. The bus switching I did all point to point. If I did it again I would probably do circuit boards :-\
The summing switch is pretty awesome. Very different flavors especially when pushed a bit.