ruffrecords said:
Couple of technical points.
The use of a tap on the secondary for the -20dB pad position on the mic input always was a dubious idea. Probably better to replace this with a balanced pad at the transformer input.
The gain make up amplifier has limited headroom. It is not really meant as an output amplifier. Probably better to replace it with the proper Helios line output amp.
I totally understand your technical points Ian, and I understand the urge to overcome the original circuit technical limitations.
But in my personal opinion, not coming from someone that designs great circuits like Ian does, couldn't those technical limitations be part of the Helios sound?
Could they be part of the reasons we also like the sound of the records that are associated with Helios?
There's probably a lot of different ways the circuits could be improved but personally I already have a lot of different mic pre and circuit designs, with some circuits with high headroom and flatter frequency response, to build an Helios Type 69 module or circuit I would prefer to keep it as much as possible close to the original circuits.
I mean no disrespect to your opinions Ian, quite the opposite, it's just a different opinion.
Checking the Musicland schematics for the input modules , there's 3 versions:
Version 1 - uses 15C1 as the mic pre and 15C1 as the eq makeup (probably used Lustraphone input tx)
Version 2 - uses 2128 as the mic pre and a "modified 2128" as the eq makeup (probably used Lustraphone input tx)
Version 3 - uses a different transformer, it's a Beyer, and 2128 as the mic pre and 22113 as the eq makeup
For the info I gathered on Helios the version 3 doesn't seem to be the most common one, most of the consoles of the records I like seem to be either version 1 or version 2
on this Musicland console,
MMC1 seems to be the bus output amplifier and 15C1 (V1 and V2) and 22113 (V3) seem to be used also has the Fader amplifier,
with all 11 outputs (8 multitrack outs, Echo1 send, Echo2 send and Foldback out) having unbalanced outputs.
Master L+R use 22117/8 as the output amp with unbalanced out also.
If I'm not seeing something right please correct me