rmaier
Well-known member
Finally done! Thanks for everyone's help. I used rotary switches throughout, with 3 frequencies each for high and low, and 7 for the mid. Cut/boost values for the lows and highs were taken from AudioX's mastering version, and I based the mid cut/boost on those numbers as well. The unit works very well, so I think I managed to get pretty close on the math. Thanks for your input, DMP. Unfortunately it came after I had made up all my switches, but I'm sure I'll be able to use it in another project.
As far as the sound goes, I have to agree with the general consensus: this is a lovely sounding EQ. It seems capable of gentle, transparent sculpting and is forgiving enough that its pretty hard to make it sound bad without really working at it. AudioX's incorporation of a midrange was a great addition to the original version - it seems extremely versatile and will see a lot of use in the future, I'm sure. The highs sound particularly sweet to my ears, even on tricky sources like violin. The lows are nice for gentle boosting as well - made a grand piano sound a couple of feet longer, without getting pushy.
As far as the sound goes, I have to agree with the general consensus: this is a lovely sounding EQ. It seems capable of gentle, transparent sculpting and is forgiving enough that its pretty hard to make it sound bad without really working at it. AudioX's incorporation of a midrange was a great addition to the original version - it seems extremely versatile and will see a lot of use in the future, I'm sure. The highs sound particularly sweet to my ears, even on tricky sources like violin. The lows are nice for gentle boosting as well - made a grand piano sound a couple of feet longer, without getting pushy.