U67 de-emphasis network

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How efficient is a condenser capsule at energy conversion, in either direction?

My understanding is that condenser capsules put out a very low power signal, lower than ribbons', which are lower than typical dynamics; that's why condensers need some kind of head amp (in the mic) to put out enough current to drive a preamp.

That suggests to me that they're a lot less efficient than dynamic mic capsules, however efficient those are, so not very efficient.

That in turns suggests to me that the feedback-into-the-mic-connection trick is doing a lot less to oppose the diaphragm's motion than to electrically cancel its LF electrical output at the input of the head amp.
I may be speaking out of turn here. This is speculation and not really knowledge. To consider how efficient something is, you have to find where energy is lost. The first things that come to mind are accelerating the mass of the diaphragm and doing elastic work on the diaphragm and on the air behind it. Are there any other loss mechanisms?
 
Do you have any reason to think a capsule is not minimum phase? If a capsule is minimum phase, then the transient response can be directly derived from the frequency response.
Well, you already made some suggestions to answer your own question. I'll add a couple more from out of left field.

Coming from the world of drums, cymbals, and gongs (playing the former two, hand-crafting the latter two) I am aware that the harder you drive any kind of diaphragm / membrane the more non-linear it gets. Mic diaphragms are much more like a drum-head than a gong, and the excitation amplitude is much less high and the excitation is spread across the whole thing versus a drum, so it is bit tenuous, but if we are considering minutiae then maybe it suggests mechanisms for non-linearity at the extremes of performance - which is where all the significant differences are in audio equipment.

Gongs are a weird mix of idiophone and membranophone so even further away from a mic diaphragm. Their restoring force comes from stiffness, not tension, and this makes them very non-linear indeed. Once you get excitation amplitudes around the same order as the thickness of the material, things go very nonlinear very quickly. (bong turns to whoosh and frequency content evolves over time). While a condenser capsule diaphragm is almost entirely constrained by tension (ignoring the air behind for the moment) and thus ought to behave linearly, there has to be at least a tiny component which is constrained by stiffness. So there's another possible source of non-linear behaviour - and again, when it is being driven very hard.

In the physics of the real world, nothing mechanical or electrical is truly linear and equations do not completely model anything down to the smallest detail. They are just abstractions and approximations that work well enough, most of the time. I began to appreciate this more and more the more I read texts from Richard Feynman.
 
Changing voltage to the capsule changes the amount of distortion the capsule generates.

As a side note to the discussion of stiffness/tension, in the world of capsules, this is what makes the pvc M7 different from mylar capsules. PVC has self rigidity. I believe the earliest styroflex CK12s (which apparently sucked) would have also had self rigidity, given styroflex that I have encountered.
 
This is speculation and not really knowledge. To consider how efficient something is, you have to find where energy is lost.

The efficiency of a transducer is an end-to-end thing: how much energy comes out vs. how much energy went in. You don't need to know exactly where in between (or how) the energy was lost, although that would certainly be interesting.

Consider an SM57 and a condenser with a diaphragm the same size. If amount of acoustic energy hitting the diaphragm is the same, the electrical energy the capsule puts out will be very different. An SM57 puts out enough electrical power to satisfactorily drive a preamp, and a condenser capsule can't. The SM57 is therefore clearly more efficient. (In the forward direction.)

Given that the SM57's dynamic capsule can't be more than 100 percent efficient, the condenser capsule must be much less than 100 percent efficient.

Presumably in both cases, some of the lost acoustic energy is reflected, some passes through the capsule and into the mic body or back out into the air, and some is converted to heat, but however the energy is lost, it's not put out as electrical energy.

I don't know if it's a safe assumption that the capsule is necessarily a comparably efficient transducer in both directions, though. I wouldn't expect it to be more efficient in the inverse (electrical to mechanical) direction than the normal (mechanical to electrical) direction, but I really don't know.
 
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Again The the LF NFB connects to the capsule back plate and not directly to the amp so the capsule is part of the signal path.
Nobody disagrees with that. We all know that the (180 degree delayed) LF signal from the output goes back to the capsule.
there is no direct path between the LF NFB and the amp.

I don't understand that. The output of the capsule goes to the input of the amplifier, right? As I understand it, if you connect the LF feedback path to that point, you are connecting it to the input of the amp as well, since that's what the capsule connects to. They are the same electrical connection.

Here are the details for the 67 amp FR. The1500 should be 15k for the the HF roll off the lows are at 40HZ so dont extend that far up.

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Regardless....
in simplest terms we have an AC voltage being fed in to a capsule if you don't think the capsule will wiggle from this. I don know...
It's a bit 2+2 =5

No, the problem is that you can't seem to understand that WE ALL AGREE that the capsule will act like a little electrostatic speaker, and that what we disagree about is the magnitude of that effect.

Just stop repeating that the LF feedback goes to the capsule, and that it will oppose the LF motion of the diaphragm. We know. We agree on that much.

THAT IS NOT WHAT THE ARGUMENT IS ABOUT.
 
The same technique is used in the U87. The resistor values in the NFB loop are quite low. I’d always assumed the reason the NFB loop is fed to the backplate is to avoid it acting as an electrical load on the grid circuit.

No doubt there will be some tiny interaction with the membrane, but it will be damping it, not exciting it, and with some time difference due to the mass of the diaphragm. This might result in what we all know as the U67 ‘softness’.

I seriously doubt that the design intention was to damp the membrane. As as I say, it seems much more likely it was to mitigate an impedance imbalance. The fact that it probably does interact with the membrane might be simply the serendipitous thing that gives this mic, and the U87, their character. Or I’m wrong, and Gerhardt knew all about it.
 
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