Thanks for all the sharing and fact finding Just curious; which of the two would you prefer in terms of quality and design?It is indeed thinnerView attachment 138542View attachment 138543
Thanks for all the sharing and fact finding Just curious; which of the two would you prefer in terms of quality and design?It is indeed thinnerView attachment 138542View attachment 138543
My pleasure! As someone who is building this entirely for myself and my work, I prefer the one that looks more like the OG and it's worth the price since I am already saving, arguably, 10s of thousands of dollars. While the cheaper one is thicker, I don't think the 'fancier' one is going to be an issue.Thanks for all the sharing and fact finding Just curious; which of the two would you prefer in terms of quality and design?
It is indeed thinnerView attachment 138542View attachment 138543
Got it. If I prefer to use a shock mount with the mic, I guess there would be no point in spending this extra $ on this version of the body, as the swiwel mount really is the butter in the version, dont you agree?My pleasure! As someone who is building this entirely for myself and my work, I prefer the one that looks more like the OG and it's worth the price since I am already saving, arguably, 10s of thousands of dollars. While the cheaper one is thicker, I don't think the 'fancier' one is going to be an issue.
I don't think you could argue for practicality of the new version over the old. It's really aesthetics and vibe. Practicality makes it an easy decision, but then again I have a Rode NT1-A with a capsule swap that sounds as good or better than some of my most expensive mics. If I were running a commercial studio (I'm not), I can't imagine I'd ever put an artist in front of an NT1-A, practicality and sound quality be damned.Got it. If I prefer to use a shock mount with the mic, I guess there would be no point in spending this extra $ on this version of the body, as the swiwel mount really is the butter in the version, dont you agree?
I was really wondering when (if ever) it makes sense to use a swiwel over a shock mount when doing vocal recordings?
Now we just need to find out where to get that shock mountI don't think you could argue for practicality of the new version over the old. It's really aesthetics and vibe. Practicality makes it an easy decision, but then again I have a Rode NT1-A with a capsule swap that sounds as good or better than some of my most expensive mics. If I were running a commercial studio (I'm not), I can't imagine I'd ever put an artist in front of an NT1-A, practicality and sound quality be damned.
Regardless, the point is valid. But then again, there is this:
View attachment 138856
How did you end up attaching yours?On mine none of the pins are grounded on either side, so I suppose it's take a pick and bridge it to the housing manually.
Well... Here, I guessNow we just need to find out where to get that shock mount
Unfortunately not; colour is off
spray can with the right color?Unfortunately not; colour is off
Unfortunately not; colour is off
Thanks for the heads up, still haven't gotten around to my build (am going turtle slow mocking up the PTP layout) but will be sure to take care not to scratch it up as I do.The paint on this mic is very suseptable to scratches just wanted to let people know. Otherwise i love it my favorite mic iv built yet
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