Micspotting - the “do you recognize this mic?” thread

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Continuing, here's a Bob Dylan special to mark the weekend. :cool:

In the first video, there are four(!) microphones at the start, can anyone explain what we're seeing?


...and as an extra bonus, a microphone with a very striking design. Does anyone know it?

 
EV 664, i believe?
I think you're right again! 🥳 How did you find it so quickly? Did you know it beforehand? Edit: But it seems to be a version without the characteristic microphone "foot" (with the switch etc)

https://www.coutant.org/ev664/index.html

The shockmounted one might be a D12 (or variant thereof), but no idea about the rest...
That's what I thought at first, but there were a lot of microphones in this design and this festival was in the States, so I'm guessing a US product? The shockmount is really strange... 😅
 
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Continuing, here's a Bob Dylan special to mark the weekend. :cool:

In the first video, there are four(!) microphones at the start, can anyone explain what we're seeing?


...and as an extra bonus, a microphone with a very striking design. Does anyone know it?


The two wrapped in foam are Neumann Km56:s. The side-address is the first giveaway and from 1:50 to 2:59 the pattern-switch ring is visible. The "strange" is indeed AKG D25. The one in the middle is not enough exposed and there are too many possibilities for it, e.g many Beyer-and Schoeps-models would fit that size, that would exclude neumann Km 54 and all of that size.
 
The two wrapped in foam are Neumann Km56:s. The side-address is the first giveaway and from 1:50 to 2:59 the pattern-switch ring is visible.
Thanks panman, I think you are right.

Neumann KM56 with pop screen:
1000048510.jpg

One year later, same Festival. Bob is now more serious and electrified...some folks doesn't like it😎

 
My D25 - like a D12, but with that elastic'n'steel mount, and a variable output-matching black knob - came from Shepperton (film) Studios (..or was it Pinewood? ..I can't remember).

These were used extensively as boom mics in film and BBC TV studios. The bass roll-off removed the wheeled boom-crane rumbles, and the twisting and aiming noises as it was swivelled on the end of the mic crane to point at the talent ..it's a cardioid, of course.

Sounds good, even today! It's a dynamic, of course, so doesn't pick up much top, but then black-&-white (or grey-on-grey) British 405-line TV didn't deliver much top anyway, and there was always a hiss from old mono optical film soundtracks which disguised that, so it really didn't matter back then.
 
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