promixe
Well-known member
tommypiper said:Yeah, the audio samples are night and day. It only takes a second of each to hear the difference! NOT subtle.
Yep! I encourage everyone to check out these samples and write here what they think of the difference.
tommypiper said:Just a dumb question, is it possible you were running the signal differently through the two units? Different gain structure, anything? Were they set up differently internally?
For example, I don't understand the two switches on the right on the original. It says compress, In. Then it says Bypass, In. Does that mean the other position is Bypass, Off? Meaning the bypass was "In," or active (in bypass)? In other words, was the compressor in bypass on the original? Can you absolutely be sure how those switches were set up?
Yes, I'm absolutely sure of the settings and signal feeds. The units were fed from a single stereo DAW source (swapping the XLRs in the back between units manually after recording each sample), and they were routed into the same stereo input into DAW (again, interchanging XLRs by hand once done capturing each unit's output). That means that the gains of insert send and return in the DAW were identical.
As far as the switches in the original: the "compress in" switch means exactly that. When it's in the upper position the compressor sidechain is OUT of the circuit, i.e. equivalent of Igor's "COMP. out" switch position on each channel.
The switch next to it (on the original) literally describes the global state of the whole unit - it's either "bypassed" (up) or it is "in" (down, the opposite of bypass). The bypass switch on our DIY units is actually incorrectly labeled as "COMP in/out", leading one into deception with three identical switches "COMP in/out" on the front panel. Two belong to each compressor channel's sidechain, the third one is the "bypass" one, but still labeled "COMP..."...
Does this make sense?