Matt Nolan
Well-known member
Another solution to that is to not use part legs as buses....until you have to replace a part that has a leg that forms a bus. Desoldering gets messy fast. I'm a fan of PCBs myself.
Another solution to that is to not use part legs as buses....until you have to replace a part that has a leg that forms a bus. Desoldering gets messy fast. I'm a fan of PCBs myself.
Fair. I was responding to the pictures in post #98.Another solution to that is to not use part legs as buses.
Are you building a microphone or a radio control tower?Getting ready to power before connecting M7 capsules. Will I need a load to protect the transformers? Dont anticipate any strong AC signal and the cap is rated 1kV Just want to check V readings.
And yes I anticipate hum before I get the enclosures.
View attachment 126449
That plate under the capsule will affect it's frequency and pattern response in a really bad way.Getting ready to power before connecting M7 capsules. Will I need a load to protect the transformers? Dont anticipate any strong AC signal and the cap is rated 1kV Just want to check V readings.
And yes I anticipate hum before I get the enclosures.
View attachment 126449
Will be 5 mm machined brass.That plate under the capsule will affect it's frequency and pattern response in a really bad way.
Bazooka ! Have ordered brass mesh and the housing is 2 mm brass.View attachment M7 Mic från sidan3_1.jpgAre you building a microphone or a radio control tower?
Just kidding! Very interesting technique, and not a bad way to test voltages. I'd anticipate that the hum will be as loud/louder than your signal though.
Doesn't help, it will cause reflections anyways, and cause cancelations in high midrange. You'll get quite substantial nulls and spikes in very audible range. If it absolutely needs to remain this way, you should elevate the capsule some more, and make a dome that would difract the soundwaves away from the capsule.Will be 5 mm machined brass.
Thanks! I am aware of the problem with standing waves and coloration. Every cavity and every piece of metal has a resonance giving a "wowel" as in the vocal tract or a trumpet, ogan pipe etc. Maybe you didn't see that the top is a ring, so the paralell surface is not so big. I could slant the top ring maybe 10 degrees to deflect.Doesn't help, it will cause reflections anyways, and cause cancelations in high midrange. You'll get quite substantial nulls and spikes in very audible range. If it absolutely needs to remain this way, you should elevate the capsule some more, and make a dome that would difract the soundwaves away from the capsule.
The problem isn’t (only) with the top ring and standing waves, it’s comb-filtering caused by primary reflections off of the surface of the plate below the capsule.Thanks! I am aware of the problem with standing waves and coloration. Every cavity and every piece of metal has a resonance giving a "wowel" as in the vocal tract or a trumpet, ogan pipe etc. Maybe you didn't see that the top is a ring, so the paralell surface is not so big. I could slant the top ring maybe 10 degrees to deflect.
Thankfull for all suggestions.
View attachment 126476
Just for fun, I recently put together a "U67"-ish microphone.
It is a kind of mix between a U67 and a U87.
The microphone works as expected, sounds good and I don't hear any difference between this microphone and a U87ai.
Measured self noise is 2 dB higher than a U87ai. Not too bad, but maybe a better EF86/EF806 could improve this.
I used an original Neumann capsule that I had as a spare.
The microphone is powered from an existing tube power supply, delivering +120 V for HT.
De-emphasis is through feedback from the output. (15 KHz is 5.5 dB down referred to 1 KHz.)
For those who are interested: the schematic is in the attachment.
Enter your email address to join: