Now I've finally had the chance to really test our diy version against an original. (Serial # 0372 so it doesn't get much more "original" than that!
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It also dawned on me that when I tested the different optos in the circuit I hadn't found out that I was missing ground in the sidechain yet and apparently that has made some difference in the behaviour.
I noticed that the original sounded a little bit different. Difficult to explain but I've touched on it a bit before... I've mentioned earlier that there might be "something" with the attack time and as it turns out the original does behave slightly different. It's really not a lot when you listen to it and if you allow for the different margins and tolerances and thereby accept that you may have to set the threshold at 12:30 instead of on 12 o'clock on the original and little things like that then it's not too difficult to dial in a setting where you virtually hear no difference.
However, I did notice that the original seemed to be faster to dial in. I quickly found the right settings for the track I used it on whereas the DIY version seemed a bit more unforgiving. It sounds great, but a little too low threshold and you get punished with a slightly squeezed result... And I distinctively remember years ago I was working on a silverface LA-4 and I could just squash material and I still didn't think it killed the sound. It maintained good transient integrity and introduced no annoying pumping... The DIY version certainly has all the right character and I love it as it is but once you fall for certain details, it's hard at least for me to let it go until I've completely nailed it. Well, this is it...
Let me start by giving you the recipe I have found to give the sound of the original. Well, with one little difference. Our diy version is slightly brighter. Only in a good way and I'm not gonna do anything to change that. here's what I've found to be the perfect combination:
DIY optos: 2 x red LED + NSL 6910 LDR (EDIT: It seems the red LEDS is not so "standard" after all. Or rather: Many different types fall under the catagory of being "standard". The ones that work for me right now is 2V, 20mA, 150 mcd, 50 degree angle.)
Opamps: 2 x TL074 in the signal path + 1 x MC33079 in the sidechain
My explanation for the different opamps is that the TL074 has a bit of a "smiley curve" to it. I love the sound of it and I think it aids the overall sound so that we can live without a transformer even beefier than the OEP, Cinemag or even the cheapos I've mentioned earlier...BUT the smiley curve is not helping us in the sidechain because a smiley curve there actually makes the sidechain react to a slightly different signal than what we're hearing coming through the damn thing. Experimenting back and forth has proven me right...at least to myself. The more neutral MC33079 lets it work a bit more freely and there's a perfect coherence between the sound you hear and the effect you're putting on it.
And now to the optos. I must admit that they do mean more for the behaviour of the LA-4 than I have thought myself and led others to believe. I apologize if that has in any way messed up anybody's plans.
Here's what I experienced when comparing the original to my diy version:
The first clue was the meter actually. The needle returned to 0 veeeery slowly. I did see that the manual stated that somewhere but I was thinking that we just have a different view on what "slowly" is. I was thinking in the way that a VU meter reacts slowly compared to a peak LED meter... But it really DOES move sloooowly when it's releasing.
I then put two diy optos (Red LED and 6910) in there and voila!...there's the exact same needle movement.
I had of course made the first two test files at this point and this next test file was just right on the money straight away. Listen to the pauses between notes. You can hear the very slow release of it. And then listen to the NSL-32 version and the release whipping up right after the signal is gone.
So the NSL-32 does indeed sound good, but it doesn't quite sound exactly like the original. And this experiment shows us that it IS the opto that makes that difference. (And more difference that which opamps you use where.)
So how about the VTL5C4/2 from Vactec? That's the opto I believe JBL recommends as a direct replacement for the original optos. Obviously that one is very interesting to check out. Well, it sounds more like the NSL32 than like the original but I also think that it has a slightly weird distortion sound to it. BUT that could be due to inadequate adjustment!
I'm not able to tell the original and the diy opto apart in a blind test either so there you have my recommendation and the one that rank #1 in my opinion.
A close second is the NSL-32 and third is the VTL5C4/2. (Remember the Vactrol may sound better with adequate and accurate adjustment!)
Now give it a look and listen yourselves:
24 bit test files here in one zip file! (They're levelled by ear so you shouldn't have to compensate although they look different. That was my aim anyway.
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And the picture montage:
So, Insomniaclown! Don't give up on your plans just yet if you hear some interesting differences. I would though, after my test here, recommend the option to switch between the diy opto and the NSL 32. The NSL32 sound damn good in it's own right but there's something odd going on with the Vactrol as far as I can tell.
Maybe there are other Vactecs that'll give different flavours...(?)
EDIT: Just tested the Vactec VTL5C1. No good at all unless you like distortion a lot:
LA- 4 with Vactec VTL5C1 opto