Just finished this badboy...
CMOQ-2S output trafos, nsl 32 optos, LME49860ma input opamps.
I did not include the overload LED and it's related zeners, as I heard these reduce the fidelity.
1/2W metal film resistors throughout the whole thing.
I used tants for the 6u8 caps, and added psu decoupling to all the psu lytics on the back of the pcb.
This thing sounds killer! I just used it to track some guitars and used it at mixdown on drumbuss - it worked fantastic!
I found the way to really get it to sound good was to slam the hell out of it.
Here's the song i used it on:
http://www.yousendit.com/download/ZGJlRm85dENrUm14dnc9PQ
The link is good til OCT 27 (yousendit link). It's a cover of my girlfriend's favorite Queens of the Stone Age song I recorded for her.
All the guitars were tracked with the comp at 8:1 and prob 8-10dB GR. At mixdown on the drumbuss I had it at 12:1 averaging about 10dB GR while blasting the outputs.
I did find that it works better on stereo sources when not linked. In Link mode, it created awful compression artifacts.
Also, I think it might be helpful to add more space between the psu filter caps. The largest I could fit were 1200uF. I would have preferred 1800 or 2200, but there was not space.
Lunytune...what difference do the other opto's make. because i felt like once I had calibrated the comp, that the nsl32 sounded fantastic!
The only problem I seem to have is that the meter is not accurate in +4 mode. It's about 7 or 8 dB too low. I'm not sure how to fix this as there's no calibration for the +4 metering.