G-Sun said:
To you who has finished a unit:
Can you describe the sound and usability?
Would you say it fits some music-genres better than other?
Some instruments better than others?
Dan has the full cases. I have one, they're awesome and look similar to the originals, but nicer, IMO.
The sound is not a certain instrument/certain genre thing (then again, that's how I feel about any gear). The sound is pretty much the classic DBX/VCA sound and even though the VU has fewer controls, it has the most musical vibe. The vibe isn't so much a tonal coloration as it is the compression characteristic. The auto attack/release has a groove to it that some call "knock". It's been loved for decades on kick and snare. I've heard several say that when they have a vocal that doesn't sound good on any other comp, the 160 usually works. I've found that they can be great on some types of acoustic guitars. It's got a lot of uses.
Tone is pretty transparent, relatively speaking, and the compression character is probably best described "lively". Not invisible, but it starts with that 'groove' I referred to and can get intense. You will hear it pump and breathe if you slam it, but the VU has a way of making that sound usable, rather than just cheap.
I used the vintage DBX black cans in mine, which are a little more "loose" and vibey. Finding a properly matched pair may be hard (I got lucky). I've heard the CLX w/ THAT vca compared to an original and the CLX w/ THAT chip is tighter.
It's a fairly inexpensive and easy build and highly recommended. There is plenty of documentation and the build butler is super-handy. Calibration is complex but I got mine workable before even calibrating. Fun vca comp that works on a lot of things.